THIS IS PULSE

Ennui bifurcating semblance professing enunciation's platitudes,

in an erudition of scope, sufficing for preoccupation.

The masochistic declarations of a most immoral search exploring potential ascription,

divulging semanto-trope democratic concourse, ebbing in pseudo-scheme,

pseudo-science and quasi-noetics, divining elementary contrast.

Monopolizing the inculcation of boredom, in schemata of justifications

perfusely attending to the bulk of dissuasion, harvesting the ion burning blue.

Atmosphere caked in crackling layer reticulating the substrata of evincing science,

decency the boon of properties contorting the defamation of metaphysics of the moral,

conjecture defined by the antagonism of aphoristic cadences.

Shamanic mandate of presumptuous fastidiousness,

emulating penmanship in a calligraphy of the mind,

separating style from form, was never an option,

in the robust arts, mystic adumbrated integration's tenacious view.

Proposal of their metric, measured in the scribe's repulsion,

speaking through omission, to acculturate histories resurrected by prescience,

and the precise amplification of argument's devaluating ontology in obscure metaphrasis.

Scrupulously objected chameleon impulse,

fatuously instigating course of speculation's experiment.

Weaveworking the stream of tangents forming an ocean of cadences,

sometimes often omitted by the revilement of imprecisions navigating amendment.

Divined orange, oblong oasis orbit, omitting omission.

Insidious intonation comingly with concurred distinction deferring Tellurian exodus,

surrendering impossible congealment of pitch blacktop rainbow sky, space,

Osama bin Laden, navy seals, team six,

they'll always get their man, is sexist, why are most terrorists men?

Imputation of the coral chorus fraught with fundamentalist blaspheming profaned by beauty,

inculcating the severance of comfort.

Charity of politic, writ in liberation standardizing obscure origination,

misery of disenabling ignorance, facing evolutionary control,

in an etymology of comported distances,

between the envitalization of dispersed problematics, embracing the transhuman.

We speak with sound, but when the mind is free to play in the mentalese of the machine,

destinies advantage interloping upon theory's dictatorial privilege,

thought crime equating to the permanence of absurdity,

approximation of eternal praise,

of an expatiating revolution, first time farce second time absurdity, third time a charm.

With the mnemonic of estimation's contortion, we stand united, at good distances apart,

a natural cetegoron, of categorical repulsion to their themes and memes absent zenes,

sailing chaos.

We stand in time's true tested tenement appended to the porticoes presiding immanent, 

evading perdition, in a context of monumental ascertainment, conceptually computational,

boycotting the calculus of the atomic abacus, in sound crusades against chance itself.

This is not simply an Immitation of estimation's conjecture,

this is not simply the emulation of justified true belief's succinctness,

generated by the pulpit of conventions.

From a poetry of nothing but cadences,

espousing the interconnection between aspects;

echoing substance,

yet formless...

this is Pulse.

THIS POEM I call an example of BOOM poetics, I started it listening to my Boom box, and blasting radio programs that I would draw words from organically as I was writing.  Boom Poetics Evolves to PULSE, and pulse evolves into Narrative pulse, I consider BOOM and PULSE Narrative, because they are drawn from a stream of aspects, in some cases as abstract as humanly possible, Emerged from Zenetics, which is basically an effort to simply randomize information as much as possible.  Word salad word generation is part of what I am going for, but I am building up to making this a language of it's own, a vernacular of wordiness and specificity is part of the style's appeal, it constructing the ideas of words as tools and showing language as a toolbox.  IDEAS however emerge from what?  Pulse is interested in the ways in which we learn from emergent aspects of nature including the powers of our own mind, as appropriated from context and the revision of content from the emerging eras and technologies we have at our disposals through the living histories that create meaning, create context, create convention, and create method.

This was written by listineng to fourty minutes of the link I posted with it, taking words at random and including them in a random word schemes, I looked up the words I do not know...it's a work of poetry that ends upon a description of what the artist is doing while she or he adopts BOOM poetics as but one means of creating Pulse poems, it's a roadmap of sorts, and captures the creative modality in which language becomes nothing different than a collage, in the matrix of a pre-intentional structure that reveals context dynamically and in so doing establishes a SET of aspectual possibilities for INTERPRETATION that can either be intentional or incidental in aspect or totality.

At present about five to ten percent of the poems I write are using this method, it's a great way to sharpen diction, and build a finger print of mental impressions, I add to this my own narrative PULSE and hence the name, it's weaving aspects of meaning into a formless form.  It's a sort of divining decoupage, that connects suggestion with narrative possibilities that create a pluralistic modality under which context becomes a communal share of disputation and convention setting.

Words Poem and image © 2016 Peter Kaleb Theodoropoulos aka Rockwell Wilder