STORY LINE - BEHIND THE SCREEN - SCENE 4: BY WILLIAMSJI MAVELI

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• SYNOPSIS

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At first my passion in life was to become a film director. But, destiny has made me to go for writing Reports, Criticisms on literature, movies, scripts, poems, stories and anything to which I get hooked up.This series of write-ups, starting with the initial planning for a short film until its completion may be used as a study material for those who are intending to shoot a short film.

Welcome to my write-up titled "Behind the Screen" on short Film-Making. If you are a regular person with no formal training in the movie production, and science and art of creativity of film-making, but want to either make a film, or participate in any activities related to films in an open and wide frame, then, you have come to the right place. I will highlight everything you need to know in order to be ready to start thinking seriously about making a short film, using the digital medium. This write-up is only partially complete, and will continue to be updated as I gain further experience and get more time to continue writing on this subject in this columns. Later, I intend to publish these short writings into a book with a title "Behind the Screen". Happy reading and moreover a happy filming your stories or ideas. Viewers are welcome with their comments - WILLIAMSJI MAVELI

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This is the first time script developed by Williamsji Maveli based on the Poem titled  "Love Comes Alive " written by Poetess Cherie Sumner. This script will be posted in STORY LINE, the column write by writer Williamsji Maveli. This script is based on Cherie Sumner's FOURTH stanza of the poem which is as below. Overall there will be eight scenes broken according to eight stanza's of the poem Readers may visualize the script which is made for a short film. Readers views are most welcome. This is being done on an experimental basis , a short film from a poem. – WILLIAMJI MAVELI

POEM BY: Cherie Sumner

SCRIPT BY: Williamsji Maveli

Scene : Four

Fantasy transformed into reality like kismet magic
I kissed him hard, as his absence had been tragic
My ache to be with him, was mirrored in his face
We were separated too long by distance and space

Scene 4:

Description:

The lover boy leaves for a far away desert place on his horse back. There will be few days' separation from the girl for him to dwell in the desert area. This is symbolic, which means the hero; the lover boy has determined to work and get few belongings to gift to his girl. Hence he has come to work in the desert area.

Take 1:

Outdoors

Lover boy reaches a hut, where neither water nor any  food available to quench his thirst and hunger. He looks for other areas to locate someone for help. Camera on his gaze and look-out for someone. He finds none.

Take 2:

Outdoors

He looks sad and worried. His horse too. He then walks a little ahead. He find n Oasis. Camera moves towards the Oasis. Different slides of water flashing like a mirror

Take 3:

Outdoors.

He looks into the Oasis. He could see his own face like a reflection. He allows the horse to drink water. Camera zooms to various shots of the horse and the lover boy. He touch on the horse face in a sympathetic way.  

Take 4:

Outdoors

Camera, now focus on the two eyes and face of the horse. The face seems to be very sad, because of the situation of his master, the lover boy.

Take 5:

Outdoors

Lover boy makes kisses on the forehead of the horse.

Take 6:

Outdoors

Night falls, Camera captures the distant half-moon.

Take 7:

Outdoors

Lover boy looks at the moons face. The moon looks like the girls face. He find happiness. Close up of the lover boy.

Take 8:

Outdoors

He started dancing out of happiness. The horse too joined in the rhythm of the dance.

Take 9:

Outdoors

Flash to a dream: He finds his Girl in his arms. She too started dancing. Now she is in his arms.

Take 10:

Outdoors

She started kissing the lover boy. The dream ends. Camera fades

End of the Scene Four

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( The Screen write will continue )