King Earth

An assessment of LORN'S ACID RAIN

https://www.youtube.com/watch?v=nxg4C365LbQ&index=7&list=RDH6oMA0PR6Ds

Pocket full of fire,
ashes made of the deepest aeolian ingot,
breathing whispers into the regolith,
Heart pulsed systems churning the world of God,
the word of man, now human, once again,
terse in consequence of opalescent tetherbound eye,
opalescent like the sky,
Growing angels in my heart,
made of contingency and the decoupage of unspoken principle,
faith drawn chariots in the Apollonic sky, forgotten,
to bring us to the Apex of an all loving God,
but the heart is a pantheon of interest,
churning the Myth into history and the present into the future,
in the Panorama of an archeonometry of time,
Somehow I fell into this body again, he said,
From dearth and dirt and girth and grit,
a stepping stone to a cornerstone of eternity,
You will soon forget that I am your servant King,
giving you peace from the sweat of the brow,
an Adamic satori I have counted all of the animals and stars and named them,
and you feed for need of war,
a countenance of indifference,
not understanding the infinite memory,
born here in I thee despot,
churning the swarm of misinformation,
into the leaves in his hand,
Professor X-Y-Z
Alphabet Male,
I contain multitudes and
legions
I am a path to an eternal forgottenness,
necessary for your first step,
remember me,
and the Ontovedic way,
for I am a NewAncient King,
A servant king of this world
King Earth.

RE: Lorn's Acid Rain- A ballad to King Earth (analyzed)

My dad used to say when people die they go into the earth. Maybe I have been dead all along, I am still here.

This video and song I feel are about a sort of episymmetry of cognition, (not as an off balance cognition or out of harmony cognition but one that is establishing bearings on the nature of crisis, gathering meaning from the aftermath of something that in being a locus of both unintentional (the accident or elements of existence out of one's control) and intentional (the dance) movements of the self in relation (Experiencing logos as cognitive dissonance aporia and dissociation disorientation expressed through a generation orienting itself to aftermaths that it does not fully understand).

This self seems to define itself as a connection to expression as a cadence designed the dances echo in symmetries when together, thus the dance is about community or the communion of the sensory that brings about relation as an orientation to how systems are interorganized, the way that is expressed in the video may point to a sort of cosmogony which leads first to a sense of being as first expressed as individual, then a binary pair and then meets with a singularity to be brought to a group communion of five elements (there meaning the five senses is probably a microatomized way to read the archetropes in this- archetopes (my term, very complex idea I will explain as deeprooted systems of macrosymbology because of their structure they can be read many ways, but when they fall into a reticulationist model they fall by custom into anchors of commonality in which inference and general persuasion form fits narratives into aspects of a possible way to understand art and creativity.

We see the intercreativity of the world from and to itself, through interpretation of psychological and psychophysical elements in allegorical and narrative relation be they abstract or not- but archetropes are in my opinion richer in the abstract mostly in bodies of work where they are used as systems this is true of a language but abstract work is not always tangible in its systems so you have to look beyond the text a lot more to understand the cultural Iconology so to speak of the system set being used for more on that study Panofsky).

The vehicle is not about death but change, the body movements there are represented in unified aspects of the mind For as the body is like a vehicle the mind is the thing driving it's movement forward, but always the context of this occurring in proper ways has to do with not limitations within the environment not the design of the path alone but the state of MIND one is in as one gestures into the synchronicity and systematicity of the mind as an act that imposes itself into the world changing not it's composition but the gesture of minds in harmony as a unified imputed ipseity of synchronized processes.

What's interesting is that this happens to in the macrosymological dynamics of the visual story of the video take us in the very intentional aspects of the narrative structure, into a sort of autopoiesis of self as something understood through surroundings, from the common to the uncommon areas of culture as a locus of production, this is why we you see begin in the road and then move to the general area of the restaurant then the proprietary area then the preparatory area, this how the synchronicity is presented as something that nourishes us as we take ownership of systems of subtle meaning woven into the visual text.

On another level the video is about motivation you see this song that is why they are cheer leaders, it's like a post apocalyptic pep rally in a narrative no one can understand as if nature were talking to itself through an unconscious mind *but we can make the unconscious conscious by building the archetrope into common culture you see, the Indians in India do this with their mythology once you make the imagination the central part of a culture you see deeper into still waters, the mirrored mind or intention of Nature or possibly of the limits of a provisional element within nature designed sometimes as reason sometimes as chaos and unreason.

The video presents issues of how to move forward after a difficult crisis that involves issue with control, spectatorship and group identity in the milieu of interrelational individuality, this is about transformation of states of relations where the self is on display as well, this is why the pep rally clothing and cheerleader motif is used but the music goes against cheer and the music involves plodding through something a sort of precognitive and prereflective epicrisis as a sort of sensed inner mind proprioception of allegory of who we are in relation to finding our place in the story of life; a search for this and layers of meaning.

The location itself is intentional, an allegory of mind is being presented as displaying the context of a display WITHIN that process (the display itself of the mind) as a site of consumption the locus of culture, this is why we are in the cafe/diner, the mind is a place of a gathering of aspects of the self toward a confrontation of a kind of injury that is based somehow in the purpose of the gathering (and in this way the video is about how the mind IS culture and culture IS the mind addressing a construction in reality in a particular way), this is what is being implied, but the movements are tribal, material embodied in synchronicity in the diner by the car it becomes about synchronicity once the mind becomes a community so to speak of a relational context in which narrative is revealed or imposed without a linear language. We sense this alinearity of effect in the symbolism itself interspersed in the slowed pace, something is asking you to disect this slowly to examine it to slow down the relationship between perception, consequence and association and it does this in aspects of interconceptual abstraction between symbol and sign system in almost unreifiable ways that is to say something that we cannot anchor into a stable interpretation in reality except through the symbolic (IE like talking about the shape of wind), so the music becomes a cipher for process revealing how mystery reveals process and how that connects to narratives that are not always linear but have linear components in it.

That alinearity to draw to the hidden abstraction as the center of a gate to the imagination pretty much sums up what Art has been since the Paintings at Lascaux France at least...I know what that's about the painting was telling you what mystics know by the way there is a living being beyond the flesh that we cannot see that we are immersed in, this is not the Ecomimera it creates the balance in the Ecomimera, the Djinn, Hadji and Maji know what this is surely, the Timecube reveals all.
I was unsure and so I checked and yes I think I was on on most of that here are the lyrics...

Daylight
In bad dreams
In a cool world
Full of cruel things
Hang tight
All you
Nothing like a big bad bridge
To go burning through
[Refrain]
Daylight
In bad dreams
In a cool world
Full of cruel things
Hang tight
All you
Nothing like a big bad bridge
To go burning through

In the last scenes we are drawn from the first person to the binary pair, this is not a racial comment, it's that in the four main scenes of the dance, we are given an introduction then the binary pair is systematically a layering, in the area where a proprietary and public zone of interaction is met in the solitary dance where where the preparation of a nourishment now brings us to the cite of a possible crime of some kind, a window broken through which we are brought to another scene, and in this scene we have an off center assymetry, that points to a symmetry directed to US as a cipher for our analysis and once this is completed the binary pair are now in the last scene open to a re-presentation of an ending that leads to a new beginning in the aftermath of moments revisiting a moment of satori of origins involving now a context for new layers of meaning to be explored in the emergent reanchoring of the circumstance where the dance becomes now unconscious this is a hyper symbolic layer, we are at the cusp of a crisis revisited this involves what we cheer and support, what is anchored into our voyage and how it relates to the attentions that we are deficit in due perhaps a given strategy involved in how not time alone but concepts and ideologies are visited and revisited in the mind where freedom is a responsibility to an informed and well scrutinized context of mind that discerns connections that sees the hidden, that searches out it's context in fair and just and valuable respect- this is understanding that freedom without responsibility in a balanced understanding and scrutiny is itself incomplete, and that a dialectic embodied reveals the layers of systems of meaning that complete our cheer, and prevent it from falling victim to a constant traumatic revisitation of misunderstanding and issues of determination, drawn into the role of a fair and comprehensively intelligent approach to speculation.

The moment that time because of it's unity with the senses becomes the senseless one is never free from conscience that is unless is it rooted and conscripted by consciousness that is rooted in a connection between a path that destroys the path itself and the eventuality that is about contrasts (we hear this in the lyrics...Cool world ....and.... bridges to burn through, to get through quickly- the allegory of the story warns to be careful to go with caution into the day after any difficulty and to not out of fear collect together as a group for that itself is you see a part of communication destroyed thus the theme of burned bridges is also in the post allegorical collage of the wordmaps here used)- also it's about the cruelty of carelessness so it could be about how too much rejection in a community creates an aftermath that we cannot always control perhaps??...but it seems to me the music and lyrics point out that this song is also about conserving dynamism perhaps as a critique of gathering energies??...staying put, being immobile or being patient ("hang tight"), being cautious in the process and the immediacy of waking into rites of passage (this idea is derived from the first lyric Daylight in relation to what this is to bad dreams-it's about salvation at the precipice of change in that way as well- escaping a bad dream by entering into a more real level of reality)....the song is about what the spirit is doing as it confronts and comforts the mind to understand itself in the world...don't mind the Timecube comment it would not even likely make sense even if you understood the story... I am just being artsy, I am a writer look up my Timecube Chronicles online at Wattpad and start the revolution of soon, any day now.

Signed:

King Earth