COMMON PRACTICES-A Minute Self Conscious Poetic Anti-Manifesto

My goal is to become one of the most original poets in the history of the world, I know what I lack, it's subtlety of meaning that you get when people visualize relations, instead I allow my relations to be implicit in sound, in language as material constitution the juxtaposition of relations culminating in a scheme and science of relation and potential yields of meanings.

I create meanings in the form of suggesting relations between everything from sound to the animate structure of a word, the meat and bones and marrow of language, the concept writ large as assumption assertion and potential, the culmination of the aspect writ into the ambulatory elements of interelatable aspects, in this sense I INVOKE or EVOKE subtlety, but it's not an agency I create by positing that subtlety in the text rather it's by way of the interassociation of abstract elements dropped in relation to one another, words that evoke imagery yes, but not situations AS MUCH, that evoke aspects YES but not relations directly IE It was a cold night and the stars were twinkling has narrative subtlety, I would write instead Cannopy obstructed by marrow of ineffable form in the ambient beauty of inconstant night, it's still narrative, but it's not created by the same poetic devices. 

Given I have never been taught it's something I am exceptionally gifted at, FOR A PERSON WITHOUT HISTORY in Poetry.  I was reading Ginsburg tonight, I am a huge fan of his.  I hope I am the next great poet, I will never have money, I will never have a name, but to a select few I will transform the world of poetry, and these people will change history.  I fully believe I am an engine of revolutions of sorts, I fully believe I am a key element in changing perspectives, essential voice of dissociation and despair and a sort of heightened need to rearticulate evolution in celebration of the elements that connect people to purposes and purposes to approaches people ought to take, I believe thus my poetry is objectively an OPPORTUNITY FOR ethical emergence a place where concepts and the evolution of ideas are limited by creativity and culture, else it would just be incomprehensible change taking place;just random forces paved over by random forces, just obtuse transformation that inspires one in no way to change how one sees the world as it is, just the positing of language for the sake of language expressed randomly. 

I admit this aformentioned aspect of random language is the FORM of my poetry, but this is not the structure of its semantics. I inculcate the emergence of ideas, and the evolution of emergence itself my poetry is a language between generations of aspects invoked in favour of elemental ways in which we can coevolve the instinct to create and the need to be foundationally effective in our creative voices, created in the form of guiding chance occurrence and intervention to form intentional landscapes that change and transform just HOW we connect ideas within a possibility for actuality. This possibility is for a shared reality a shared set of basic meanings, based on formalist and deconstructivist accounts for the modalities in which linguistic juxtapositions take root and gravitate meaningfully within the formation of language, and context...lending meaning through situating both assumption and assertion in the cuesets of language as developed through the art of interpreting abstract relations tangibly and with potential oracular applications forming a language that is open from age to age to vital interpretation. 

It is what I write, the language of a child, the vernacular of the cultivation of instincts to know and realize the formation of meaning as synonymous with the formation, preservation, destruction and recultivation of interpretation conventions that so function as to gravitate to a sense of the essential, in the face of the modifiable and gestative aspects of conveyable sets of meanings frozen within the text so to speak and thawed out of the the textual analysis on the basis of the discursive potential woven into time based elements of discourse as a social and not just material phenomenon woven into language but into shifting common practices.